Ephotozine: Top 39 Best Lenses For Micro Four Thirds Cameras

Einführung

Am 30.05.2018 veröffentlichte ephotozine.com eine "39er-Hitliste" der mFT-Objektive.

Hier finden Sie eine tabellarische Aufstellung mit einigen wichtigen Zitaten.

Tabelle: "Top 39 Best Lenses For Micro Four Thirds Cameras 2018"

No.	Objektiv	ephotozine.com
		Zitat(e)	Review'
1	LEICA DG NOCTICRON 1:1,2/42,5 ASPH.	Optically, this lens is currently amongst the best performers available for the Micro Four Thirds format due to its delivery of high sharpness, with low CA and distortion. As well as these plus points, the Leica DG Nocticron 42.5mm f/1.2 ASPH. also features an optical stabilisation system, Nano Surface coatings to suppress flare and a manual aperture ring. It may cost a fair few pennies, but it will be money well spent, especially as the price isn't obnoxious in any way.	Link
2	Olympus M.ZUIKO DIGITAL ED 40‑150mm 1:2.8 PRO	The Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO combines great build quality with excellent performance and those two factors alone make it a winner in our eyes. However, when this is combined with the unique zoom range it offers along with the fast f/2.8 aperture, it scores a few more points. Image quality is excellent, the lens handles well and it's not badly priced either.	Link
3	Sigma 30mm F1.4 DC DN Contemporary	When the Sigma 30mm f/1.4 DC DN C lens was put to the test, we were pleasantly surprised to find that under the unassuming exterior was a superb compact lens that really delivers the goods. Even without considering the price, which is a bit of a bargain, the lens is an absolute gem. Sharpness is of a very high order, CA (Chromatic Aberration) is very much under control and flare is not a problem either.	Link
4	LEICA DG ELMARIT 1:2,8/200 POWER O.I.S.	The Leica DG Elmarit 200mm f/2.8 Power O.I.S is a cracking good lens that is highly functional, with a very useful teleconverter that extends the possibilities. Yes, the price hurts, but the alternatives hurt even more. This is such a pleasure to use and the results are just as satisfying, even with the fairly modest pixel count of the Panasonic Lumix G6. A definite Editor's Choice.	Link
5	LEICA DG VARIO-ELMARIT 1:2.8-4.0/50-200 ASPH. O.I.S.	Panasonic has produced here a telephoto zoom that is exceptionally easy to handle, produces excellent results and is priced realistically against the competition. Compared to full frame marques, it is priced very competitively when we consider what job the lens does. Not only that, but the compact, light construction mirrors the size of the MFT cameras and follows the ethos of the MFT system. It is easy to see the attraction of lighter, smaller cameras and lenses, especially when the quality is still extremely high. So, on various levels, a lovely lens and an Editor's Choice.	Link
6	Panasonic LUMIX G Macro 30mm F2,8 II ASPH. O.I.S	With a reasonable price, excellent sharpness across the frame from maximum aperture, useful optical stabilisation and life-size magnification at its closest focusing distance, you can't really ask for more. The compact size and light weight will also help make this lens one that will win over many admirers.	Link
7	Panasonic LUMIX G X VARIO 35-100 mm F2.8 ASPH O.I.S.	Panasonic's 35-100mm is a fine lens that is priced reasonably, especially when compared to lenses covering the same angles of view for 35mm format, with the added bonus of being much more compact, and lightweight. Picture sharpness is excellent and chromatic aberrations are kept under control well throughout the zoom range. Distortion is well controlled and we didn't experience any issues with flare when shooting with the Panasonic Lumix G Vario X 35-100mm f/2.8.	Link
8	Olympus M.ZUIKO DIGITAL ED 60mm F2.8 Macro	Combining a compact, lightweight design with great optical performance, the Olympus M.Zuiko Digital ED 60mm f/2.8 Macro lens is positioned at a great price point. Micro Four Thirds camera owners interested in macro photography should definitely add this lens to their wish list. In fact, even if you have no interest in macro photography, the quality this lens delivers and its price make it a good option for portraiture fans on a relative budget also.	Link
9	LEICA DG MACRO-ELMARIT 1:2.8/45 ASPH.	This lens is a very good buy for Micro Four Thirds camera owners who are looking for a dedicated macro lens. It's lightweight, compact, sharpness is excellent from maximum aperture and optical stabilisation works well. Plus, as the price has dropped, the Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH is even better value for money.	Link
10	Panasonic LUMIX G VARIO 4,0-5,6 35-100mm ASPH. O.I.S.	Those looking for a compact telephoto lens should certainly add the Panasonic Lumix G Vario 35-100mm f/4.0-5.6 Asph Mega O.I.S. to their list of considerations as it ticks plenty of boxes. Optically it performs better than it's reasonable price tag suggests it should and it's compact enough to be barely noticeable in a camera bag when travelling. Sharpness levels are excellent and chromatic aberrations are pretty well controlled throughout most of the zoom range. Falloff of illumination towards the corners is fairly typical for a lens of this type and the petal-shaped hood does an excellent job of shielding the lens from extraneous light that may cause issues with flare.	Link
11	Olympus M.ZUIKO DIGITAL ED 45mm 1:1.2 PRO	There is no doubt that the Olympus M.Zuiko Digital 45mm f/1.2 is a superb lens and one that would be a pleasure to own. The factors that come with that really more concern the cost, which is fairly high, and the applications that a photographer might have in mind. A 90mm-equivalent lens is a very useful optic for portraits, landscapes, short-range sports and architectural details. With perfect drawing, the architectural uses are probably as relevant as the potential for portraits. It will be an easy decision for those with the cash ready or those who have a commercial use.	Link
12	Olympus M.ZUIKO DIGITAL ED 12-40 mm F2.8 Pro	With a robust, dust- and splashproof construction, this lens is ready for all eventualities. As well as its strong build, the lens also offers outstanding sharpness through much of the zoom range at maximum aperture, chromatic aberrations are well controlled throughout most of the zoom range and distortion is well corrected in camera. A petal-shaped hood is supplied with this lens but even without the hood, the Olympus M.Zuiko ED 12-40mm f/2.8 PRO is very resistant to flare.	Link
13	Olympus M.ZUIKO DIGITAL 25mm F1.8	The image quality of the Olympus M.Zuiko 25mm f/1.8 ED offers is excellent, with sharpness being particularly good in the centre of the frame from maximum aperture. It's well built, lightweight and reasonably compact so it's not that noticeable when carrying it around in a camera bag but some may consider the price a sticking point for what is, essentially, a 50mm f/1.8 equivalent. Chromatic aberrations are well controlled as too is falloff of illumination, distortion and flare.	Link
14	Panasonic LUMIX G 42.5mm F1.7 ASPH. POWER O.I.S.	There's little to find fault with this lens as sharpness is outstanding from maximum aperture. Falloff, distortion and fringing are all also well controlled and Panasonic camera owners will appreciate the optical stabilisation it offers. Build quality is excellent and the Panasonic LUMIX G 42.5mm f/1.7 ASPH. is also lightweight which is always a plus point.	Link
15	Sigma 60mm F2.8	Whether this lens is fitted to A Sony NEX, or Micro Four Thirds camera, the telephoto focal length and fast f/2.8 maximum aperture make this optic a perfectly good lens for portraiture for not a lot of money. Sigma hasn't skimped on build or optical quality and it is capable of delivering pin-sharp results from maximum aperture. Build quality of the Sigma 60mm f/2.8 DN A lens is very good so when you combine this with its excellent performance, it's a worthwhile investment.	Link
16	Panasonic LUMIX G X VARIO PZ 12-35mm F 2,8 ASPH.	The Panasonic Lumix G X VARIO 12-35mm f/2.8 is a weather-sealed professional spec zoom lens that delivers sharp, contrasty images that have low CA and distortion. Focusing is fast and the optical image stabiliser allows sharp hand held images to be taken at shutters speeds as low as 1/10sec at 35mm, which is roughly three stops slower than the usual rule of thumb would allow otherwise.	Link
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Weblinks

• "Top 39 Best Lenses For Micro Four Thirds Cameras 2018" in ephotozine.com (englisch)